Bao Steel #8, Shanghai, China
Edward Burtynsky, 2005, chromogenic print, © 2005, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Edward Burtynsky
In his large-scale color photographs, Edward Burtynsky explores landscapes that have been transformed by human enterprise. He was led to this body of work under circumstances that are an apt metaphor for the subject matter itself: he took a wrong turn. While driving through northeastern Pennsylvania in search of the interstate highway, Burtynsky wound up in the town of Frackville, where he encountered a surreal landscape that had been fractured by coal mining activity. The detour was an awakening for Burtynsky, who decided to devote his life to finding and documenting similar industrial sites all over the world. Since that time, Burtynsky has depicted the sprawling footprints of industry and the transformative impact of resource use. He has explored mineral extraction, energy, transportation and water infrastructure, manufacturing sites and disposal facilities, with the hope that his images will inspire a more sustainable approach to development. His stunning aerial photographs are alluring by design, holding our attention until we can process the sheer scale of human incursions on the Earth’s surface. With each body of work, Burtynsky presents mesmerizing visions of a landscape transformed, and offers a stark reminder of our collective wrong turn.
Explore the Gallery
Cerro Prieto Geothermal Power Station, Baja, Mexico
Edward Burtynsky, 2012, chromogenic print, © 2012, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Rock of Ages #15, Active Section, E.L. Smith Quary, Barre, Vermont
Edward Burtynsky, 1992, chromogenic print
© 1992, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Silver Lake Operations #14, Lake Lefroy, Western Australia
Edward Burtynsky, 2007, chromogenic print
© 2007, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Nickel Tailings #34, Sudbury, Ontario
Edward Burtynsky, 1996, chromogenic print © 1996, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist.
Salinas #3, Cádiz, Spain
Edward Burtynsky, 2013, chromogenic print
© 2013, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Colorado River Delta #8, Salinas, Baja, Mexico
Edward Burtynsky, 2012, chromogenic print
© 2012, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Pivot Irrigation / Suburb, South of Yuma, Arizona, USA
Edward Burtynsky, 2011, chromogenic print
© 2011, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Stepwell #2, Panna Meena, Amber, Rajasthan, India
Edward Burtynsky, 2010, chromogenic print
© 2010, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Oil Fields #19a, Belridge, California, USA
Edward Burtynsky, 2003, chromogenic print, © 2003, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Highway #1, Los Angeles, California, USA
Edward Burtynsky, 2003, chromogenic print, © 2003, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist
Shipbreaking #24, Chittagong, Bangladesh
Edward Burtynsky, 2000, chromogenic print, © 2000, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist